"The Impro Code" brings together 20 renowned improv professionals from German-speaking countries, who each share a specific hack from their practice. From applied improv in business and storytelling techniques to moderation methods and resilience techniques - each chapter offers immediately applicable ideas.
There is also a special highlight for our community: Fabian from YesTicket brings his years of experience from setting up YesTicket and supporting hundreds of cultural groups directly into the book. He takes a look behind the scenes of the "empty chair syndrome" and shows how to turn the "principle of hope" into a reliable system for full auditoriums by using clever processes and the right attitude.
"The Impro Code" brings together 20 renowned improv professionals from German-speaking countries, who each share a specific hack from their practice. From applied improv in business and storytelling techniques to moderation methods and resilience techniques - each chapter offers immediately applicable ideas.
A versatile toolbox for the stage, seminar room and everyday life - compact, inspiring and tried and tested. For anyone who wants to take their spontaneity, creativity and responsiveness to the next level.
A project of this size thrives on collaboration. My special thanks go to the editors Ralf Schmitt and Vaya Wieser-Weber, who have curated this work with so much passion. I am proud and grateful to be part of this inspiring circle of over 20 experts, who together show how much power there is in applied improvisation.
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Learn more:Our co-founder Fabian has poured his experiences from over five years of YesTicket and the exchange with hundreds of cultural groups into a separate chapter. He does away with the "principle of hope" in marketing and introduces the fan staircase.
Follow the authors and ideas from the book in the podcast - listen directly on Spotify:
The book was published on 26.05.2026 by Gabal Verlag.
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Fabian von YesTicket 💚
Co-founder of YesTicket, computer scientist and improv actor for almost 20 years. He combines the strategic world of corporate R&D with the creative power of the stage to make organizations and cultural professionals fit for uncertainty.